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David Hamilton  

A Blessing for Saint Kentigern

 Year: 2008
for 2-part treble-voice choir, SAB choir and piano

  • Programme Note

    This work was commissioned by choral director Stuart Weightman for performance at Saint Kentigern School in Auckland. The brief was to write a work that could be performed by the school’s choir, but which also included a section for the parent’s choral group attached to the school. Also, ideally the work would include something for both groups to sing together. Finally, it should be possible for either of the separate choir sections to stand alone as independent pieces.

    The suggested texts were a blessing from a bookmark given to all the boys at the school, and a blessing often used in chapel services. To the first text I added a couple of lines which closely matched the final section of the second text.

    The work begins with a blessing in unison and then 2 parts for treble voices. This is followed by a blessing for SAB choir, and then finally the two earlier sections are performed simultaneously.

  • Availability

David Hamilton  

A Blessing for this Day

Duration: 02' 00" Year: 2009
for two-part treble voices and piano

Jillian Bray  

All over creation


carol for unison singing with keyboard accompaniment

Colin Gibson  

And did you see him, little star?


carol for unison singing with keyboard accompaniment

Anthony Young  

Be Still

Duration: 03' 30" Year: 2009
for SATB choir

  • Programme Note

    Much of my work is a marriage (or balancing act) between the Western art music tradition and my own position in time and place. Along with many forms, I have had a love for sacred choral music from Mediaeval times through to the present, but in not being a Christian, I have felt a reluctance to set text in which I don’t fully believe.

    In reading the work of spiritual author, Eckhart Tolle, I have discovered a new connection with biblical texts. Tolle quotes the line “Be still, and know that I am God” in his book A New Earth, as an example of a universal truth that is at the heart of all religions and belief systems. In this text “God” may be seen as the Christian God, an omnipresent spiritual dimension or the universe personified. This line, and the rest of the text, is from Psalm 46. In setting this text I have found an opening into the world of sacred choral music that aligns with my own beliefs.

    Anthony Young

  • Availability

Richard Madden  

Child of Christmas Story


carol for mixed choir

David Hamilton  

Christmas Bells

 Year: 1996
for two-part choir and piano

Chris Adams  

Counting Game

Duration: 00' 30" Year: 2007
for piano

  • Programme Note

    The idea of Counting Game is based on the music of Bela Bartok, particularly his set of piano pieces Mikrokosmos. Bartok often uses different rhythms made up of varying groups of two or three. I also like counting and creating rhythmic patterns in music. In this piece the counting can be done out loud, but it doesn’t need to be. You might need to try taping different parts of the piano to find the best place. Two places you could try are either underneath the keyboard or on the face o the piano case.

  • Availability

David Hamilton  

Dear Santa (How's It Looking?)

 Year: 2006
For SA, piano (suitable for primary school choirs)

Colin Gibson  

Don't tell anyone (SHHH! not anyone)


A Carol for children