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Two fearless percussionists duel with skipping ropes and whistles, creating rhythms and improving their cardiovasular fitness simultaneously.

• Cowan: Skip; facsimile 

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• Claire Cowan: Skip 

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In many cultures, the public bath is the focus of community conversation and exchange. The act of cleansing is both sensual and spiritual; a bath house is a place we become naked, removing our sweat and public personas. In Toronto, these rituals have almost been forgotten. What would our city look like if we reimagined the bath house as shared public space? SLIP brings together the diverse talents of writer and actor Anna Chatterton, choreographer Yvonne Ng, composer Juliet Palmer and installation artist Christie Pearson in a new, site-specific interdisciplinary performance for the Harrison Baths. The Baths and Swimming Pool, established in 1910, are now housed in a 1960s building: an urban oasis providing free showers, swimming, washrooms and laundry facilities. urbanvessel has imagined a collective history for the Harrison Baths, and raises questions about our future by interacting with the architecture of the building itself. When much of the world gets naked together, why do Torontonians adhere to gender segregation? Few free public spaces remain since amalgamation – how does this afffect our sense of community? SLIP travels the labyrinth of the Harrison Baths complex: from the tiled lobby, through the gargantuan men’s locker room, to the majestic pool, and finally, through the series of intimate rooms making up the women’s space. Fusing dance, theatre, music and installation, SLIP features the vocal talents of jazz singer and improviser Christine Duncan, opera singer Vilma Vitols, and Japanese folk singer Aki Takahashi. Drummer Jean Martin lays down the rhythm, while Louis Laberge-Cote and Susanne Chui add their bodies (and voices) to the mix. The music is visceral and vocal, combining body slaps with handheld percussion and the sounds of the space itself. Audience members will experience a grimy, razzmatazz Hollywood chorusline, a sparse and intimate Japanese folk song, and opera echoing off the tiles. Sound, mist, water and light transform the everyday into a dreamlike space. urbanvessel is an interdisciplinary collective creating performance works rooted in the sounds and spaces of Toronto’s overlooked corners.

See website: http://www.urbanvessel.com/SLIP.html

• Juliet Palmer: Slip 

  Digital movie
  

Soaring Roaring Diving wins Best Experimental Film award at the 2009 Brooklyn International Film Festival.

Co-directed by Miriam Harris and Juliet Palmer, Soaring Roaring Diving is an animated film that intertwines drawing, Super8 footage, collage, and 2D and 3D animation, with a textured soundtrack mixing music and found sounds. Miriam Harris as animator and Juliet Palmer as composer worked closely together, aiming for a sequence in which sound and image are organically intertwined. The film swims and dives in a poetic journey through grief and, ultimately, resurfacing. The title alludes to Virginia Wolf’s description of the vicissitudes of both the imagination and of life.

In communicating the perspective of a child and an adult,
Harris employs a variety of drawing styles, ranging from
loose sketches to more representational images. There are
also two drawings by the then four year old daughter of Juliet Palmer, Miriam. A personal, almost diaristic, scrapbook aesthetic echoes the themes of time and personal
journeying, and both 2D and 3D animation techniques have
been utilized, so that the motifs of journeying possess a
spatial dimensionality.

Palmer’s approach to sound is similarly eclectic. Recording
with Toronto musician Jean Martin, she has composed a
haunting mixture of found sounds, percussion, and voice.
Childhood echoes with the tinny percussiveness of a toy
xylophone, as well as the voices of young divers at a
swimming pool. Palmer sings, mutters, breathes, whistles,
and hums while the sounds of paper resonate throughout the work. Ripping, fluttering, crumpling and scribbling, they
create a visceral connection between image and sound.

Soaring Roaring Diving was created with the support of the New Zealand Screen Innovation Fund.

The 2009 Brooklyn International Film Festival presented 114
films out of a record-breaking total of 2,770 submissions
from 110 countries. BiFF was established in 1998 as the
first international competitive film festival in New York.
BiFF’s mission is to discover, expose, and promote
independent filmmakers while drawing worldwide attention to Brooklyn as a center for cinema.

• Juliet Palmer: Soaring Roaring Diving  Year: 2008 

  Digital movie