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This piano suite contains five pieces describing the local scenery and legends of Achill Island in Ireland.

• Parker: Achill Suite; computer-set 

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• Parker: Achill Suite and Other Works  Year: 2003 

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• Nigel Keay: Adagietto Antique; audio 

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• Nigel Keay: Music for Small Groups  Year: 2011 

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• Biddington: Adagio for Bassoon and String Orchestra; computer set 

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• Biddington: Concerto Movements and Music for Strings 

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• Eric Biddington: Rendez-vous  Year: 2007 

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• Biddington: Adagio Triste; computer-set 

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• Biddington: Adagio Triste; computer-set 

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• Biddington: Adagio Triste; computer-set 

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• The Land God Gave To Meg - Chamber Music of Eric Biddington 

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Karlheinz Stockhausen, Luciano Berio and Pierre Boulez have long been in my group of compositional heroes. Not that I have always understood or accepted what they were doing but rather because they opened new vistas of compositional processes.

Stockhausen in particular offered composers new ideas about the way music is structured. His ‘moment’ forms made a deep impression and his early electronic music pieces Gesang der Jünglinge and Kontakte blazed new pathways. They are classics in the music of the twentieth century.

Adieu KS for solo vioklin is my musical way of offering a deep sense of gratitude to Karlheinz Stockhausen. This short hommage nods in the directly of Stockhausen’s early Sonatina for violin and piano and utilises a sequence of pitches from this work. Fragments contrast with continuity, melody with violinistic sounds and movement with stasis.

• Rimmer: Adieu KS; computer-set 

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• Rimmer: Adieu KS; computer-set 

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• John Rimmer: Adieu KS; audio 

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• Release: The Mozart Fellowship  Year: 2012 

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When Virgil penned his great story of national mythology for the Roman state and empire, he called it The Aeneid, since the poem recounts the travels and adventures of Aeneas, a latter day Ulysses. As Aeneas and his fleet are sailing from Carthage toward Italy they encounter a violent storm and seek shelter in the protected harbour of a small island off the coast of North Africa. Here rocky outcrips provide a haven. Aequora tuta silent Virgil writes – the water is calm and silent.
Friendly sounds echo back and forth across the water between the cliffs.

Notes taken from Toru, Atoll CD (ACD 143)

• Toru - Chamber Music by Martin Lodge  Year: 2011 

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Original music for the documentary Lands of Our Fathers – My African Legacy.

• Jonathan Besser: Lands of our Fathers - my African Legacy  Year: 2004 

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This work is an hommage to the piano-four hand waltzes and hungarian rhapsodies of Johannes Brahms (with tougue firmly in cheek, comme d’habitude).

• Davidson: After Brahms; computer-set 

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• Davidson: After Brahms; computer-set 

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• Davidson - After Brahms 

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• Matthew Davidson: After Brahms 

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After Resonance Blues explores the Korean idea of aftertone via interval-colour resonances and string after tones (partial un-dampening, prepared bass strings) as well as a Japanese intensification structure. Both of these relate to the idea of timbre grittiness and chordal intensification structure of the twelve-bar structure/grittiness in the blues. A spacious fourth resonance, very slow, at the very opening eventually opens out into a frenetic paced fifths sequence using blues riff patterns but intermingled with an interval-colour richness at the end-time climax. An after resonance string stimulation returns at the end to mirror the beginning prepared notes. The work contains transformed elements of Korean Ritual music; the mood is tinged with lyric sadness (“blue”) in that it reflects an inner emotion over the death of a Korean friend’s father prior to embarking on the work.

• Crossman: After Resonance Blues; computer-set  Year: 2007 

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• Mozart Fellows Concert 2007 - Vol. 1 

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• After Resonance Blues - Bruce Crossman 

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• Double Resonances - Bruce Crossman  Year: 2008 

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• Nock: Afterbach; computer set  Year: 2005 

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• In the time of sakura: the piano music of Mike Nock  Year: 2007 

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• Michael Houstoun: Inland (CD & DVD set)  Year: 2007 

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