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Ray Twomey  

Concertino (Opus 10a)

Duration: 18' 00" Year: 1997
for string orchestra and violin solo

Helen Fisher  

Matairangi-2

Duration: 15' 00" Year: 1997
for flute, viola and harp

  • Instrumentation
    flute, alto flute, piccolo
  • Programme Note

    The title of the piece combines two Maori words “Matai” (sea) and “Rangi” (sky). The work is inspired by the Wellington environment, particularly tui birdsong and also both reflective and sparkling waters. It is perhaps best summed up by a New Zealand adaptation of some lines in T.S. Eliot’s Four Quartets: “After the [tui’s] wing Has answered light to light, and is silent, the light is still At the still point of the turning world.”

    Matairangi – 2 for flutes (C-flute, alto flute and piccolo), viola and harp, was commisssioned by Catherine and Christine Bowie with funding provided by Creative New Zealand Toi Aotearoa, and it was premiered by Trio Bilitis on 13 July 1997 for the Wellington Chamber Music Society.

  • Availability

John Psathas  

Motet

Duration: 15' 00" Year: 1997
for piano duet

Gareth Farr  

Naga Baba

Duration: 18' 00" Year: 1997
for chamber orchestra

Ray Twomey  

String Quartet (Opus 11b)

Duration: 18' 00" Year: 1997
for string quartet

  • Programme Note

    This work is the string quartet version of Sinfonia, opus 11a, and is a musical autobiography. Ray was born in England and lived through seven years of destruction, spending many nights in air raid shelters listening to the sounds of total war. An air raid, with its sirens, the drone of bombers, bombs dropping and anti-aircraft fire can be heard in the first movement. The main theme, which occurs soon after the opening, reappears inverted after the air raid – symbolic of the utter chaos prevalent at that time. However, like the Phoenix rising from the ashes, the theme not only corrects itself but changes from minor to major modality near the end. The second movement represents New Zealand with its bitter-sweet memories for the composer. New Zealand is a beautiful country. The humorous third movement, called “England again” is scored pizzicato throughout, and leads to the final movement “Canada” – big Canada, magnificent Canada, vast Canada, noble Canada, free Canada, beautiful Canada…. the huge but simple harmonies near the end are Ray’s interpretation of the optimism he feels for the country.

  • Availability

Kenneth Young  

Virgen de la esperanza

Duration: 15' 00" Year: 1997
for orchestra