Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

Anthony Ritchie  

Memories of Budapest (Opus 87)

Duration: 11' 00" Year: 1998
sextet for horn, 2 violins, 2 violas and cello

Christopher Marshall  

New Zealand Advent Triptych

Duration: 10' 00" Year: 1995
for SATB choir with soprano and bass soloists

  • Programme Note

    A cycle of three Advent anthems with a text by S.E. Murray for ‘a cappella’ SATB choir. No. 2 contains solos for high soprano and bass. Commissioned by Prof. Peter Godfrey and the Kapiti Chorale in 1995, the work was first performed by Southern Consort of Voices in May 1996. By turns tender, meditative, and exhilarating with fresh, piquant harmonies.

  • Availability

Gareth Farr  

Te Papa

Duration: 10' 00" Year: 1998
for orchestra with mezzo-soprano, tenor and soprano (Maori karanga) soloists

  • Instrumentation
    2,2,2,2; 4,3,2,(1),1; karanga, soprano, baritone; 6 percussionists, timp., hp; strings
  • Programme Note

    The thing that struck me about Charm when I first read it, was the wonderful concept of the spirit of the land – te wairua o te whenua. The land is our mother, she cares for all of her children. We have all at some point in time been a stranger to this land, and as visitors, we have all been welcomed by her.

    Charm is a poem from the mid 19th century, a time when all Europeans were recent visitors to the land. It is likely, however that this poem was a Maori charm originally, translated into English by settlers, suggesting that Maori also felt the same way about Aotearoa.

    We now live in a unique multi-cultural society. Our many and varied contemporary art forms reflect this fact, and display something that could only be created here. This piece is a recognition of the similarities and differences of all of the cultures of New Zealand. It is a musical analogy to my idea that cultures can co-exist without overshadowing or changing one other. And finally, it is a musical celebration that we all have ended up here on the same soil.

    Gareth Farr

  • Availability

Philip Norman  

Wenceslas

Duration: 13' 00" Year: 1992
a Christmas cantata for unison treble choir and orchestra

John Ritchie  

Zhivago's Mary Magdalene Songs

Duration: 13' 00" Year: 1993
for voice and piano