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• Key: Barristers of the Blues; computer-set 

  Reduced score | Hardcopy - computer set
  
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• Premieres 2004, Volume 4 

  CD
  
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for violin, guitar, alto saxophones, baritone saxophones, soprano saxophones, drums, voice, percussion and electronics

• sync / shed  Year: 2001 

  CD
  
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percussion, tone-trees, voices, hand clapping

• Dadson: Fax to Paris 

  Digital sound file - MP3
  
  $4.00
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• New Zealand Music for Creative Dance 

  CD
  
  $34.00
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• Different Tracks  Year: 1993 

  CD
  
  $30.00
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clarinet; saxophone, clarinet, bass clarinet (1 player); accordion, french horn (1 player); percussion; piano; double bass, violins and others

• Jonathan Besser: Ensembled  Year: 1999 

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• Aaron Lloyd: The Black Mill - various works  Year: 2000 

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Like many whakataukī, or traditional sayings, he rimu pae noa conveys a rich range of meanings. Literally, it describes seaweed set in motion by the tide. Metaphorically, it also refers the restlessness of a traveller, and the movement of a whole bed of seaweed in the same current alludes to a group of people working in harmony. This in particular has a strong resonance with the collaborative process from which the piece arose. The instrumental ensemble provides a framework, and a backdrop, for the improvisation of the taonga pūoro. At the same time it attempts to maintain its own identity, in conversation with the solo lines. Precisely specified gestural events are distributed in a flexible rhythmic framework,
which aims at a balance between control and spontaneity. I am deeply grateful to Horomona Horo, for a richly rewarding collaboration, and to Richard Nunns, whose work over many years is a deep source of inspiration.

Philip Brownlee

• Brownlee: He rimu pae noa; computer-set 

  Full score | Hardcopy - computer set
  
  $13.00
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• Brownlee: He rimu pae noa; computer-set 

  Full score | Pdf - computer set
  
  $13.00
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• Philip Brownlee: He rimu pae noa; video 

  Media on Demand | Embedded
  

• Philip Brownlee: He rimu pae noa 

  Digital sound file - MP3
  

• Two pieces by Philip Brownlee 

  CD
  

• Alison Isadora: Selected Works 

  CD
  
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oboe/ violin duet (or other instruments with the same range), clarinet in B flat, violin section (at least 2 players), cello or cello section; Perc 1: glockenspiel. triangle, slide-whistle, whistle, egg-shakers, cap-gun or 2x 'party poppers'; Perc 2: typewriter, woodblock, bicycle horn, aluminium frying pan, vibra-slap, piano; everybody in the group also needs to have a 'kazoo'

• Lauder: Noisy Types; computer set 

  Full score | Pdf - computer set
  

• Lauder: Noisy Types; computer-set 

  Full score | Hardcopy - computer set
  
  $12.00
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• Lauder: Noisy Types 

  CD
  
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• Avian Dreams  Year: 2004 

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The piece was written in collaboration with Andrzej Nowicki, a NZSM student who dances with a Polish folk group in Wellington. The clarinet carries the dance tunes in both movements, with a second clarinet and a baritone saxophone joining in the second. The gamelan accompaniment moves between “slendro” and “pelog”, suggesting a ‘bent’ version of western harmony.

Jack Body

• Body: Polish Folk Dances; computer-set 

  Full score | Hardcopy - computer set
  
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• Now I Know - New Music for Gamelan and Winds 

  CD
  
  $25.00
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