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• Biddington: A New Zealand Fable; computer set  Year: 2007 

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• A New Zealand Fable - Eric Biddington  Year: 2008 

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The word azimuth originates from Arabic and means “the arc of the horizon to the zenith” (highest point ie straight above you). In this piece, the sense of the gradual movement from a still point to a climax is obvious.

The idea of an azimuth is very mathematical and have reflected this in the symmetry and balance of the work – creating a “calculated” path of progress – very suited to the minimalist inspirations at play.

Jeni Little

• Little: Azimuth; computer-set 

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• Little: Azimuth; computer-set 

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• Little: Azimuth; computer set 

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• Little: Azimuth 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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This piece uses the image of a bird lost in a city, frantically trying to find a way out of the concrete that has engulfed its natural habitat. It is a political statement about the way that New Zealand is becoming this concrete jungle: individual greed and a lack of long term vision allow high intensity farming practices to destroy our rivers, and transitory councils allow increasing urban expansion to eat away at more and more of our natural land.

Flight was originally for solo flute and has been adapted by the composer especially for Anna McGregor; it is one of a number of his works that she has premiered. Although some of the lightness of the flute version is lost, the clarity and edge of the Eb Clarinet sound intensifies the frenetic elements of the piece.

• Adams: Flight - Lost in an urban(e) jungle; computer-set 

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• Adams: Flight - Lost in an urban(e) jungle; computer-set 

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• Chris Adams: Flight: Lost in an urban(e) jungle; audio 

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• Chris Adams: Flight: Lost in an urban(e) jungle 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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For some reason we never seem to fully escape our formative influences. In this case it is the Dave Brubeck Quartet’s 1959 Time Out album, featuring the smooth, lyrical alto saxophone sound of Paul Desmond, as well as time signatures not yet widely heard by the general public on a jazz recording.

Why Grooves Unspoken? Because we do not speak music, we play (or sing) it.

• Audain: Grooves Unspoken; tenor or soprano saxophone version; computer-set 

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• Audain: Grooves Unspoke; tenor or soprano saxophone version; computer-set 

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• Audain: Grooves Unspoken; alto or baritone version; computer-set 

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• Audain: Grooves Unspoken; alto or baritone version; computer-set 

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• Yvette Audain: Grooves Unspoken 

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A piece which combines contemporary classical music with Hip Hop/ Poetry.

• Crehan: Honesty; computer-set 

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• NZ Premieres 2008 Vol. 1 

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