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Hirini Melbourne  

Pumotomoto

Duration: 05' 00" Year: 2003
for male and female voice with taonga puoro

Hirini Melbourne  

Takapau Horanui

Duration: 04' 00"
for taonga puoro and two male voices

Helen Fisher  

Taku Wana - The Enduring Spirit

Duration: 37' 00" Year: 2002
for two mezzo sopranos, Kai-karanga, taonga puoro (traditional Maori instruments), flute/piccolo, bodhran, string quartet

  • Instrumentation
    one of the mezzo sopranos needs to be familiar with performing Maori waiata.
  • Programme Note

    This chamber work, composed in 2002, is based on the music drama of the same title, with music by Helen Fisher, Maori composition by Wi Kuki Kaa and lyrics by Lauris Edmond. This shorter work for two sopranos, kai-karanga, string quartet, flute, bodhran and Maori instruments was produced for a CD on the Atoll label (ACD 203). This work focuses on some Maori and Pakeha women’s stories surrounding the events of the 1843 Wairau tragedy. These are stories of compassion, which have a resonance for New Zealand today, showing a way forward for reconciliation and racial harmony.

  • Availability

Hirini Melbourne  

Te Timatanga

Duration: 03' 00" Year: 2003
for male and female voice with taonga puoro

Hirini Melbourne  

Te Whanau Marama

Duration: 05' 00" Year: 2003
for male and female voice with taonga puoro

Shen Nalin  

Text of "Wang"

 Year: 2009
for sheng, zheng, saron, bonang, four singers and taonga puroru

  • Programme Note

    “Wang” in Chinese (including the archaic word) have about 48 words. There are synonyms and antonyms, nouns, verbs, adjectives, prepositions, quantifiers, and onomatopoeia and so on. The semantics are broad and inclusive in the thousands according to the written character, the tone used, and the context in which it is used. Generally, “Wang” in Chinese can have twenty different meanings. Some of these meanings are similar; sometimes they are completely opposite. Tones have always been with the Chinese language. The writer of the Southern and Northern Dynasties, Shen Yue (445-513) wrote the Four Tones Spectrum. There is also the Chinese Phonetic Alphabet released in 1958 by the Chinese government. In fact, the Chinese tones have become vibrant, musical, richly semantic and hugely expressive language. Thus the word ‘Wang’, as a sound, has huge potential to stimulate the creative imagination.

    Shen Nalin

  • Availability

Jonathan Besser  

Time and Place

Duration: 12' 30" Year: 2006
for vocalists and ensemble