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• Jonathan Besser: Danceabout 

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• decadence - celebrating 10 years of Besser and Bravura 

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Using animal imagery to take us into the heart of the human condition, Inland charts the fragile equilibrium between shepherd, flock, dog and hawk. Inland is a dance-theatre work conceived and choreographed by Douglas Wright. The work was commissioned by the 2002 New Zealand Festival with funding from Creative New Zealand.

• Palmer: Inland 

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• Palmer: Inland  Year: 2002 

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Soundtrack to the second half of New Zealand School of Dance 2004 choreographic season Intimate Space at Te Whaea Theatre, Newtown, where it was electronically defused through the sound system.

• New Zealand Selection 1 

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• Premieres 2004, Vol. 7  Year: 2003 

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• Stephen Gallagher: Mathematical Geography  Year: 2004 

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• New Zealand Music for Creative Dance 

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• Scullion: Peaks to Plains  Year: 2000 

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• Scullion: Springsound  Year: 2001 

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In my work as a composer I have found bringing together classical and jazz musicians to be a rich and unique way of working. I have experience in both fields and my compositional talent and interest lies genuinely across the two art forms.

This piece has been specifically composed for these performers and their unique sets of skills. Each performer is of a very high calibre and each possesses something special and unique in their playing and approach to music making. Mike Kime and Reuben Derrick often have moments of freedom as they are both accomplished improvisers. Gretchen Dunsmore and Mark Le Roche are classically trained performers with excellent skills and intelligent ears and minds. I knew that each of them would bring something to the work that would be unique and exciting.

More recently my creative interest in movement and form has expanded to contemporary dance and I wanted to involve and include another artistic discipline in this work. Collaborating with Julia Milsom has been an exciting new venture for me. The nature of the sounds within the piece are highly applicable to contemporary dance and have been interpreted and expressed with considerable talent and skill by Julia.

Layers of sound in time is a theme I have developed extensively in the piece. The layers interact, evolve, contrast, compliment, and conflict with each other to create a depth of space and time between them.

The work is an exploration of the timelessness that comes in moments of deep introspection through evocative sounds and movement.

Alex van den Broek

• van den Broek: Still Standing Silent; computer-set 

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• van den Broek: Still Standing Silent; computer-set 

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• Alex van den Broek: Still Standing Silent; video 

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• Alex van den Broek: Still Standing Silent  Year: 2009 

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