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Claire Cowan  

'Whetu-Rere' - The Sea Lion and the Comet

Duration: 22' 00" Year: 2007
for voice and mixed chamber sextet with taonga puoro

Judith Exley  

A Song of Marigolds

Duration: 10' 00" Year: 1990
for soprano and gamelan orchestra

  • Programme Note

    The poem is a reflection of the transient nature of love and life. The gamelan, being an intergral part of a traditional which sees life as cyclic, maybe offers a balance. I have endeavoured to express this polarity by using traditional materials in non-traditional ways.

    Judith Exley

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Gillian Whitehead  

"Aria" from Outrageous Fortune

 Year: 1998
for soprano, taonga puoro, flute, bassoon, cello and piano

Jeff Henderson  

bark

 Year: 2001
an improvisation by sync / shed with vocal, chamber ensemble and electronics

Jeff Henderson  

beat ant

Duration: 08' 01" Year: 2001
an improvisation by sync / shed with vocal, chamber ensemble and electronics

Jonathan Besser  

Bird Without Wings

Duration: 14' 00"
For female voice and ensemble

Juliet Palmer  

bone-flower

Duration: 08' 00" Year: 1996
for chamber quintet

Helen Fisher  

Bone of Contention

Duration: 1h 20' 00" Year: 1993
a dance work for mezzo-soprano and ensemble

Gillian Whitehead  

Camelot

 Year: 2008
for mezzo-soprano, piano and bassoon

  • Programme Note

    Camlot, a collaboration between Glenn Colquhoun and Gillian Whitehead, is a response to a visit by ten artists on the Breaksea Girl, skippered by Lance Shaw and Ruth Dalley, to Dusky and Doubtful Sounds in Fiordland, and particularly to a trip up Camelot, the river that flows into Gaer Arm in Doubtful Sound. Glenn’s poems, cryptic and spare, relate to old Chinese poetic forms, and the cycle traces the poet’s travelling up the river, and, changed by what he learns, his return to the open water. The titles of the poems draw on imagery very apparent
    on this journey.

    One thing that was made very apparent on that journey was the extent of the degradation of the environment, because of the depredations of deer, goats, rats, possums and other pests, which have made the forest a silent place, where biodiversity is acutely threatened.

    The first performance of Camelot took place in St Paul’s Cathedral, Dunedin on 8th October, 2008, during the Otago Festival of the Arts. The performers were Janet Roddick (voice), Emma Sayers (piano) and Ben Hoadley (bassoon).

    Both the performances and the journey to the sounds were devised as a fund-raiser by the Caselberg Trust, which is raising money to purchase the Broad Bay house of Anna and John Caselberg, for use by resident artists.

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Anthony Ritchie  

Children and Adults

Duration: 10' 00" Year: 1992
four songs for mezzo soprano, viola and piano