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Yvette Audain  

Eulogy

Duration: 10' 00" Year: 2010
for full symphony orchestra and narrator

  • Instrumentation
    piccolo, flute, oboe, cor anglais, clarinet, bass clarinet, bassoon 1 and 2, 3 horns, 3 trumpets, 2 trombones, bass trombone, tuba, timpani, 2 percussionists (crash cymbals, suspended cymbals, roto-toms, claves, rain stick, vibraphone), harp, strings and narrator
  • Programme Note

    I enjoyed performing and recording Eulogy very much. Such a warmth of texture and harmonies which created a sympathetic palette for Olivia Macassey’s word painting” – Kenneth Young

    My decision to set this text for orchestra initially arose, not only from reading the poem and appreciating it for what it is, but also from the recent passing of a dear musician colleague with whom I had collaborated on many early jazz projects.

    However, at time of writing, I have become most un-nerved by the senseless loss of young life that has been occurring with alarming regularity at a couple of schools I have recently taught at. It was with these tremendously sad, sudden passings in mind that I completed my work on the piano short score of Eulogy, before commencing work on its orchestration.

    Yvette Audain

  • Availability

Chris Adams  

Progress March

Duration: 08' 00" Year: 2010
for symphonic band

  • Instrumentation
    for picc, 3 fl, ob, 3 cl, bass cl, 2 alto sax, tenor sax, bar sax, 2 hn, 2 tpt, tbn, euph, tuba, timp, 3 perc.
  • Programme Note

    a politically inspired pilgrimage from from naivety to cynicism travelled through wittily twined and increasingly dour revisions of anthems with dwindling heraldic phrases.” – Marian Poole, Otago Daily Times

    When writing Progress March I became increasingly distressed at the direction that the current leadership (NACT) in our country is taking us. The dissolution of elected representatives of Environment Canterbury (ECAN) and power to alter Water Conservation Orders by the government appointed commissioners – all for short-term commercial interests; potential mining of schedule 4 areas of our National parks; the mess that is the Auckland Supercity; continued attacks and underfunding of Radio New Zealand; and a litany of other abuses by our supposedly representative politicians have all saddened me. Progress March celebrates greed and misuse of power using original material as well as fragments of God Defend New Zealand, the Star Spangled Banner and Sumer is Icomen In, a 13th Century song celebrating the bucolic joys associated with the arrival of summer.

    Chris Adams

  • Availability