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Douglas Lilburn  

A Birthday Offering

Duration: 11' 00" Year: 1956
for orchestra

Richard Madden  

A Blessing

Duration: 03' 30"
for SATB choir with soprano soloist, and organ

David Hamilton  

A Blessing for Saint Kentigern

 Year: 2008
for 2-part treble-voice choir, SAB choir and piano

  • Programme Note

    This work was commissioned by choral director Stuart Weightman for performance at Saint Kentigern School in Auckland. The brief was to write a work that could be performed by the school’s choir, but which also included a section for the parent’s choral group attached to the school. Also, ideally the work would include something for both groups to sing together. Finally, it should be possible for either of the separate choir sections to stand alone as independent pieces.

    The suggested texts were a blessing from a bookmark given to all the boys at the school, and a blessing often used in chapel services. To the first text I added a couple of lines which closely matched the final section of the second text.

    The work begins with a blessing in unison and then 2 parts for treble voices. This is followed by a blessing for SAB choir, and then finally the two earlier sections are performed simultaneously.

  • Availability

David Hamilton  

A Blessing for this Day

Duration: 02' 00" Year: 2009
for two-part treble voices and piano

David Hamilton  

A Child Comes Forth

Duration: 13' 00" Year: 2006
for SSA choir with percussion and harp

  • Programme Note

    This work was written at the request of conductor Elise Bradley for her highly regarded choir Key Cygnetures at Westlake Girls High School (Auckland).

    It was intended for a ‘mid-winter Christmas’ concert which was to also feature Britten’s A Ceremony of Carols. I therefore felt happy to turn to Christmas texts with some of the more traditional Christmas references (snow etc).

    The first text is from the fifteenth century and is a general text mentioning Mary, the manger, the wise men, and the gifts they brought, and ends with call to delight in the Christ child. The second text, by G.K. Chesterton contains images of snow and night, and ends with the line that gives the work its overall title. The third text is a variant of the carol ‘I saw three ships come sailing in’ and may refer either to the medieval myth that Joseph and Mary travelled to England, or obliquely to purported journeys of the relics of the wise men. The fourth text is a lullaby by nineteenth century poet John Addington Symonds. Again the wise men and their gifts are mentioned along with the shepherds. The final text is another anonymous one, and is simply a brief and energetic welcome to ’heaven’s King’.

  • Availability

David Hamilton  

A Child Lay in a Little Crib

Duration: 02' 05" Year: 2012
for solo soprano, SSA choir and piano

  • Programme Note

    This piece was originally the fifth movement of a short Christmas cycle (“Angels and Shepherds and Wise Men All”) was written in 2012 for the end of year concert by South Auckland Choral Society to be conducted by the composer. The concert included my school choir, St Mary’s Schola, and I was keen to write something that the combined forces (including the soloists) in the concert could sing together.

    The cycle doesn’t try to encapsulate the entire Christmas story, but focusses on those characters on the edge of the story – the angels, the shepherds and the wise man. In this piece, the characters who gathered around the infant Jesus are focussed on: the animals, the angels and the shepherds.

  • Availability

Douglas Mews  

A New Zealand Christmas (The imprint of His little feet)

Duration: 03' 00" Year: 1993
for a cappella SATB choir with soloists

John Rimmer  

A Song of Humility

Duration: 03' 00" Year: 1978
for solo soprano and SA choir

David Hamilton  

A Song of Ruth

Duration: 04' 00" Year: 1991
for SAB choir and organ

David Hamilton  

A Song of Ruth

 Year: 1991
for SSA choir and organ