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Anton Killin  

'Another Day' Miniatures

Duration: 10' 00" Year: 2008
electroacoustic

  • Programme Note

    This suite of short pieces aims to juxtapose several different compositional styles relevant to the medium of electroacoustic music. Most of the source material is drawn from Allan Thomas’ Karanga Voices audio library, MTM’s open source samples, recordings of Kylie Nesbit’s bassoon and viola sounds, and recordings of local Wellington rock band Keller Kinder of which I am a member.

    ‘Another Day’ Miniatures was premiered at the Adam Art Gallery in Wellington at ‘Karanga Voices’ – a concert celebrating both the Karanga Voices audio library project of Allan Thomas (which documents New Zealand heritage in sound, after which the concert is named) and five generations of electroacoustic composers in Wellington.

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Anton Killin  

A Priori

Duration: 06' 00" Year: 2008
electroacoustic

  • Programme Note

    The term “a priori” in philosophy refers to that which is already known or presupposed before any kind of inquiry has taken place.

    This piece organises vocal sounds into a specific trajectory and juxtaposes these sounds with electronically manipulated material and recordings of nature and machinery. I recorded speakers of various languages – Polish (Andrzej Nowicki), Japanese (Andy Tate), Russian (Liz Platova), French (Clare Tattersall), Luo (Beryl Matete), English (myself), Dutch and German (Duncan Nairn). These languages were ‘altered’ during the recording process to accommodate the trajectory (from vowel sounds to whole words to consonant sounds to percussive voice sounds to breath sounds) and thus, while the grammar structures of each language still inform the ‘words’ of its speaker, the original meaning of word-combinations is tainted and often lost.

    Much of the electronic sounds were created from these voice recordings. Moreover, a lot of only subtle electronic embellishment was employed at times – an aesthetic decision that ‘holds back’ on many opportunities to modify sounds and thus foregrounds the inverted linguistic function of the spoken languages into a purely aural sensation by presenting the recordings as they are, often without electronic manipulation.

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David Downes  

Generation

 Year: 2003
computer-generated 'visual music'

  • Programme Note

    ‘Generation’ is computer-generated ‘visual music’. It won the Best Original Soundtrack award at Cinanima 2004 (Animated Film Festival in Portugal) amongst other awards and has performances around the world to high acclaim.

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David Downes  

Noise (Theme and Variations)

 Year: 1998
audiovisual installation

Hannah Gilmour  

Ode to a Cricket

 Year: 2010
electroacoustic

  • Programme Note

    It is easy to overlook things that seem insignificant in life and forget the need to stop and pay attention to details. We can miss the joy and importance of small things.

    In this work I developed the sample of a cricket to symbolise the solitary voice of one overlooked by society. By drawing the audience’s attention to this sound, I have attempted to portray how, even though it has a small role, there is something charming and captivating about the cricket’s call and the great lessons that can be learnt from it.

    I have explored this idea in three movements: a moderately slow melodic movement, a rhythmic second movement and a slower harmonic final movement.

    Hannah Gilmour

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