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This short piece was written as a twenty-first birthday present for clarinetist Esther Smaill. The melodic fragment heard at the outset soon skitters over its own unstable surface, mutates into fanfare-like repetitions, is spliced with momentary cantabile inserts, is interrupted by slow motion signposts, and blows itself out in a final burst of energy.

• Gardner: Charge; computer-set 

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• Gardner: Charge; computer-set 

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• 175 East Vol. 1 

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• James Gardner: Selected Works 

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• Gardner: Charge and other works 

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• Ears Wide Open Taringa Areare Education Resource CD  Year: 2000 

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• Sound Barrier  Year: 2006 

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• Andrew Uren: Steep Steps  Year: 2011 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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A work which explores the interaction between live flute and electronic sounds. Written for Dana Parkhill.

• Michael Norris: Chrysalis - downloadable electroacoustic part (mp3) 

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• Michael Norris: Chrysalis - downloadable PDF 

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• Michael Norris: Chrysalis - hardcopy score & electroacoustic part (CD) 

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• Michael Norris: Chrysalis; audio 

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• Norris: Chrysalis 

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Circo II was written in 1996 during the composer’s course of postgraduate study at the University of Canterbury and is dedicated to Deborah Ashworth, a bass clarinettist from Wellington, who gave its first performances. The inspiration for Circo II was the desire to explore the range of sounds of a lesser-used instrument, sounds which may appear very unlike a bass clarinet. Compositions by William O.Smith (USA) and Peter Scholes (NZ) were influential during the composition of the work. The bass clarinet begins, singing in its uppermost register, rather like a male voice in its falsetto register. Soon it descends to its deepest notes, eventually breaking out in a display of harmonics, trills and ‘colour fingerings’. The work ends as it began, returning to the smooth vocal lines.

• Instone: Circo II; facsimile 

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• Instone: Circo II; facsimile 

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• Contemporary Canterbury 

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• SOUNZfine Volume 4  Year: 2000 

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• Denis Smalley: Impacts intérieurs  Year: 2004 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Rafiloza and Friends  Year: 1999 

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During the 1970s John Rimmer produced a series of Compositions, for different instruments and electronic sounds. In Composition 4 the flute is accompanied by a gentle environment of string and percussive-like timbres. The flute writing contains a wide variety of expressive devices and overall bears an oriental influence, in particular that of the Japanese vertically blown shakuhachi.

• Rimmer: Composition 4; electroacoustic part 

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• Rimmer: Compositions 1-5; electroacoustic part 

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• Rimmer: Composition 4; facsimile  

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• Rimmer: Composition 4; facsimile 

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• New Zealand Sounds - October Sound 

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• Seaswell  Year: 1992 

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• Rimmer: Composition 7; electroacoustic part 

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• Rimmer: Composition 7; facsimile 

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• John Rimmer: Composition 7; audio 

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• Rimmer: Electronic Sounds for Compositions 6-10 

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• Watson/ Nock/ Cresswell/ Rimmer: Works 

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