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• Rimmer: A dialogue of Opposites; facsimile 

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• Rimmer: A dialogue of Opposites; facsimile 

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  $7.00
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• Under the Southern Cross: works for cello 

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  $30.00
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• Douglas Lilburn: Allegro Concertante - hardcopy score & part  Year: 2012 

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• Lilburn: Allegro Concertante  Year: 1988 

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This work won the Asian Composers’ League Young Composers’ Award in 1998 (Taipei).

• Speak: Auxetos; computer-set 

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• Speak: Auxetos; computer set 

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  $8.50
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• Jeroen Speak: Auxetos 

  Cassette
  
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• Speak: Auxetos 

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• Matthew Davidson: Bergamasques - downloadable PDF 

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  $19.00
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• Matthew Davidson: Bergamasques - hardcopy score 

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  $23.00
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• Matthew Davidson: Bergamasques - MIDI realisation 

  Digital sound file - MP3
  

The ‘Elgin Marbles’, taken from the Parthenon, lie at the centre of a long-standing property dispute between Greece and the British Government. Encountering these sculptures in the British Museum for the first time, I was intrigued to learn that one of the decorative motifs adorning its carved stone form was known as ‘egg and tongue’. The sensuously rounded forms of eggs and tongues alternate and repeat along the borders of the monumental sculptures, an ancient pattern combining symbols of virility and fertility. The motif is widespread: several years later, walking through the ruined architecture of the Syrian city of Apamea, I found tumbled-down stones of Roman structures bearing this same pattern, rain-washed stones in a field of crocuses. In the music of Egg and Tongue, I play with ideas of patterning and fragmentation, cultural property and style. Familiar motifs repeat, adorn, are lost and take new shapes.

Juliet Palmer

• Palmer: Egg & Tongue; computer set 

  Parts - written | Pdf - computer set
  
  $20.00
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• Palmer: Egg & Tongue; computer set 

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• Palmer: Egg & Tongue; computer set 

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• NZ Women Composers Vol. 1 

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• NZ Women Composers Vol. 3 

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• SOUNZfine Volume 5: New Zealand Women Composers 

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• Palmer, Juliet Kiri: Selected Works II 

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• Mix-up - various works by Juliet Palmer 

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• Egg & Tongue  Year: 1997 

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Farewell attempts to integrate a number of diverse musical influences ranging from traditional Maori through nineteenth century European to modern American jazz and South American tango. The body of the piece is melodic and harmonious, but is framed by abstract episodes. To achieve these abstract sounds, the Cello plays microtones and a few varieties of distortion effects, some sounding as birds. The piano is ‘prepared’ by inserting a small piece of foam rubber under the lowest octave of strings and also by having the player strum directly on the strings with either a piece of felt or a rubber piano tuner’s mute. As the title suggests, Farewell includes elements of nostalgia, mystery, and pathos. The feelings one may have on saying good-bye to the present and viewing the future with a bit of apprehension. A time for re-evaluation.

• Stabler: Farewell; computer-set 

  Full score | Pdf - computer set
  

• Stabler: Farewell; computer set 

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  $13.00
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• Stabler: Farewell; computer-set 

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• Stabler: Farewell; CD 

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• Hodgson: Four Pieces for Violin and Piano; facsimile 

  Full score | Pdf - facsimile
  

• Hodgson: Four Pieces for Violin and Piano; facsimile 

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• Hodgson: Four Pieces for Violin and Piano 

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Matairangi – 1 for cello and piano is in one movement with two sections: the first is more percussive and energetic, while the second is more melodic. It was partly inspired by the changing and contrasting moods of sea, wind and sky that shape Wellington’s hilly and exposed environment. The title, combining two Maori words, ‘Matai’ meaning ‘sea’ and ‘Rangi’ meaning ‘sky’, is an original name for one of Wellington’s more prominent hills, Mount Victoria.

Matairangi – 1 was commissioned by Chamber Music New Zealand for James Bush and Sarah Watkins to premiere in 1996, and the funds for the commission were provided by Creative New Zealand Toi Aotearoa.

• Fisher: Mataraingi - 1; computer-set 

  Full score | Pdf - computer set
  

• Fisher: Matairangi I; computer-set 

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• Fisher: Mataraingi - 1; computer-set 

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  $16.00
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• Helen Fisher: Matairangi  Year: 1998 

  CD
  
  $30.00
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Meditation was commissioned by Tessa Petersen and John Van Buskirk for performance in a concert celebrating the opening of the Chinese Gardens in Dunedin, New Zealand, 2008. The piece takes an ancient Chinese poem as its point of departure, a text that focuses on Nature and its relationship to humans. The music spontaneously expresses thoughts of Nature and beauty, using simple ideas based around modes, repeated ostinati, and a mixture of long melodic lines and shorter motifs. Various timbres on both instruments are explored, and the pianist plays on the strings of the instrument with mallets at the beginning and end of the piece. The piece is structured in 3 main sections: slow-faster-slow, and all sections are played without a break.

• Anthony Ritchie: Meditation - downloadable PDF 

  Score and parts | Pdf - computer set
  
  $20.00
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• Anthony Ritchie: Meditation - hardcopy score & part  Year: 2013 

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  $50.00
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• Release: The Mozart Fellowship  Year: 2012 

  CD
  
  $27.00
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• Farr: Mondo Rondo; computer-set 

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• Gareth Farr: 'Mambo Rambo' from Mondo Rondo; video 

  Media on Demand | Embedded
  

• New Zealand Music for Creative Dance 

  CD
  
  $34.00
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• Gareth Farr: Owhiro  Year: 1999 

  CD
  
  $30.00
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• Sound Barrier  Year: 2006 

  CD
  
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