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• de Castro-Robinson: Chaos of Delight II; facsimile 

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• De Castro-Robinson: A Chaos of Delight II; facsimile 

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• A Chaos of Delight: music by Eve de Castro-Robinson  Year: 1998 

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This lament for unaccompanied mezzo-soprano is to a text by Harjo.
“The simple image of one woman onstage, barefoot, letting loose great octave leaps and glissandos peaking in sharp cries, projected a beautifully unfettered freedom.”
Cahill, Berkeley Express

• Lockwood: I give you back; facsimile 

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• NZ Women Composers Vol. 2 

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• Lesbian American Composers   Year: 1997 

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• Cresswell: Prayer for the cure of a sprained back; facsimile 

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• Edward Harper and Lyell Cresswell  Year: 1997 

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• Isadora: The [Mis]Adventures of Amy Bock  Year: 1998 

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These two vocalises were written for Elise Bédard, an accomplished performer of avant-garde vocal music. They use the voice instrumentally and are designed to be technically challenging.

• Tremain: Vocalises I & II; facsimile 

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• Tremain: Music for Violin and Strings; cassette 

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This song cycle was written as a thank-you piece for Lesley Graham, who had sung lead roles in Harris’ operas Waituhi (1984) and Tanz der Schwäne (1989). She suggested Bub Bridger’s texts. As with Dreams Yellow Lions, the poems are couched in the vernacular, in this case with a disarmingly naïve, yet subtle character. The composer saw the challenge here in writing music that was both simple and rich in order to match the subtleties of the text.

• Harris: Wild Daisies; computer-set 

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• Ross Harris; Wild Daisies; audio 

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• Waiteata Collection of New Zealand Music Vol. 4 - Composer Portrait: Ross Harris  Year: 1987 

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