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• Buchanan: A Matter of Timing; computer-set 

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• Buchanan: A Matter of Timing; computer-set 

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• Dorothy Buchanan: A Matter of Timing 

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This work for brass quintet and narrator was written for the NZ Brass Quintet to perform in schools.

• Freed: A Nursery Tale; facsimile 

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• Freed: A Nursery Tale; facsimile 

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• Freed: The Circle and A Nursery Tale 

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This cycle of five songs for baritone and piano was awarded the Philip Neill Prize by the University of Otago in 1991. It expresses five perspectives on the concept of time, some humorous and some more contemplative.

• Grenfell: A Pinch of Time...; facsimile 

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• Grenfell: A Pinch of Time...; facsimile 

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• Grenfell: 2 pieces from "A Pinch of Time..."; computer-set 

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• Kowhai - an album of songs by NZ women composers  Year: 1994 

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• Grenfell: selected works 

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• Burning Bright - four NZ women composers  Year: 1999 

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The poem is a reflection of the transient nature of love and life. The gamelan, being an intergral part of a traditional which sees life as cyclic, maybe offers a balance. I have endeavoured to express this polarity by using traditional materials in non-traditional ways.

Judith Exley

• Exley; A Song of Marigolds; computer-set 

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• Three works by Judith Exley 

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A Christmas opera in 3 acts, based on a Ngaio Marsh play, and including audience participation in a number of carols.

• Farquhar: A Unicorn for Christmas; facsimile 

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• Farquhar: A Unicorn for Christmas; facsimile 

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• Farquhar: A Unicorn for Christmas 

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Originally called A Song of Tamatea, this work was revised in 2000 to become An Offering for Parihaka.

• Hamilton: A Song of Tamatea; facsimile 

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• Hamilton: An Offering for Parihaka; computer set 

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• Hamilton: An Offering for Parihaka; computer set 

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• David Hamilton: A Song of Tamatea 

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• Parihaka 

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This fanfare for full orchestra was “…refreshing… (Its) gradual thickening of layers of bird calls to abrasive Varesian dissonances near the end had a concise dramatic momentum and coherence.” lan Dando, NZ Listener. (It) “…begins with sounds that could only be New Zealand ones.” LCM Saunders, NZ Herald.

• de Castro-Robinson: Aurora; facsimile 

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• Eve de Castro-Robinson: Aurora 

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• Eve de Castro Robinson: Works 3 

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This dance theatre project was commissioned to celebrate the New Zealand Women’s Suffrage Centennial, and explores a range of historical and contemporary issues. It is based on documents written by Kate Shepherd and was choreographed by Susan Jordan.

• Fisher: Bone of Contention; facsimile 

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• Fisher: Bone of Contention (excerpt); facsimile 

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• Helen Fisher: Bone of Contention  Year: 1993 

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The text for this work draws on ideas and images from a number of sources, ranging from contemporary poetry to the psalms of the bible. It is a son of celebration of the Earth and all its abundance. The initial form of the text was devised by Deirdre McOnie. The work is a joyous song of praise. More reflective music alternates with rhythmic writing. Throughout, the music makes much use of syncopation. “Celebrate the Earth” was originally written for an overseas competition whose theme was “A Celebration of Earth Day”. This revised and orchestrated version was written on a commission from Auckland Choral Society for their 2000 concert season. It was one of five choral fanfares commissioned for their subscription series. The concert for which this fanfare was written was to be a Bach 250th anniversary concert. the scoring is for Baroque orchestra including harpsichord and organ. Given the nature of the concert I couldn’t resist including a short reference to the BACH musical motive (B-flat – A – C – B natural in pitch terms). It appears in the brief organ solo towards the end of the work. “Celebrate the Earth!” is dedicated to the Auckland Choral Society and their conductor Peter Watts. Its commissioning was made possible by a grant from the Lottery Grants Board. The first performance took place on 24 March 2000 at Holy Trinity Cathedral, Auckland. This subsequent version for expanded orchestral forces, including jazz band instruments, was made for Youth arts 2000, a celebration of artistic performances by young people held in Wellington in August 2000. It was intended as a massed item at the end of the final concert, hence the inclusion of jazz bands in the scoring as well as a large orchestra.

• Hamilton: Celebrate the Earth (extended version); computer-set 

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• Hamilton: Celebrate the Earth; computer-set 

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• Hamilton: Celebrate the Earth; computer-set 

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• Hamilton: Celebrate the Earth; computer-set 

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• Celebrate the Earth 

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• Lilburn: Chaconne for piano; facsimile  Year: 1972 

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• Lilburn: Chaconne; computer-set  Year: 2005 

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• Lilburn: Chaconne; cassette 

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• Peter Cooper - Piano  Year: 1968 

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• Thomas Hecht: piano masterworks from America and New Zealand  Year: 2005 

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• Michael Houstoun: Inland (CD & DVD set)  Year: 2007 

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• Douglas Lilburn: Complete Piano Music Volume 3  Year: 2011 

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