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Anthony Ritchie  

A Bugle will Do

Duration: 09' 00" Year: 1995
for full orchestra

  • Instrumentation
    pc2233cb; 2331; timp.; 3 perc (triangle, tomtoms, bass drum, suspended cymbal, xylophone, tam tam, log drum); strs
  • Programme Note

    In 1995 I was approached by the NZSO to write an overture to commemorate the recent death of New Zealand’s most famous war hero, Sir Charles Upham. Upham was famous for having won the Victoria Cross twice for bravery during World War II. He was, however, extremely modest when it came to discussing his achievements. Some years before his death it was suggested to Upham that he have a state funeral; he simply replied, “A bugle will do”. This comment seemed like a good starting point for my piece.

    There are no bugles in the orchestra, but the opening section depicting the horrors of battle contains plenty of brass. Sub-titled Maleme and Ruweisat Ridge, the music is fast and furious, built from several motifs, and includes the opening rhythm for the most well known Maori haka (war dance), Kamate, kamate. The music builds to a climax, and the scene changes to a bleak Colditz Castle, where Upham was imprisoned during the war. While in prison he dreams of rural NZ, and the farm near Kaikoura called ‘Landsdowne’, where he eventually settled after the war. This brief pastoral section links into a coda celebrating the outbreak of peace. Motifs from earlier in the piece return but changed into brighter modes. ’

    A Bugle Will Do was first performed by the NZSO in 1996 under Andrew Sewell, and was subsequently performed in the USA.

  • Availability

Gillian Whitehead  

"Aria" from Outrageous Fortune

 Year: 1998
for soprano, taonga puoro, flute, bassoon, cello and piano

Gillian Whitehead  

Awa Herea (Braided Rivers)

Duration: 22' 00" Year: 1993
a song cycle for soprano and piano

Christopher Blake  

Bitter Calm

Duration: 1h 30' 00" Year: 1993
opera in two acts for soloists, chorus and orchestra

  • Instrumentation
    2sop,1ten,2bari,SATB chorus and orchestra: (2)22(2)2(2); 2220; 2perc,timp,2keyb; strs.
  • Programme Note

    Bitter Calm is a full length opera for five principals, chorus and orchestra in two acts. It is based on an incident at Motuarohia Island in the Bay of Islands, New Zealand in the 1840s. It is a drama of human passions in the contexts of land alienation and tensions between Maori and new settlers. Premiered at the New Zealand International Festival for the Arts in 1994 and filmed for television.

  • Availability

Tony Ryan  

Haka!

Duration: 07' 00" Year: 1996
for orchestra

  • Instrumentation
    pic2,2CA,2Bass,2 Contra; 4331; Timpani; 3 Perc; Strings (optional organ part)
  • Programme Note

    Commissioned by the Christchurch Youth Orchestra and premiered by them, it has subsequently been played by the Auckland Philharmonia, in Australia and in the USA by the Eugene Symphony Orchestra. It is full of pounding rhythms and a vital sense of action and movement as befits a work which takes the Haka as its inspiration.

  • Availability

Hirini Melbourne  

Hinemoana

 Year: 1991
For taonga puoro and male voice

Gillian Whitehead  

Hineraukatauri

 Year: 1999
duo for piccolo/flute/alto flute, and Maori flutes

  • Instrumentation
    piccolo, C flute, alto flute. Taonga puoro: tumu tumu, karanga manu, putorino toroa, putorino maine, putorino nui, purerehua, pakunu. Taonga puoro parts mostly improvised.
  • Programme Note

    In the tradition of the Maori, the indigenous people of New Zealand, Hine Raukatauri is the goddess of music and dance. She is embodied in the form of the female case-moth, who hangs in the bushes and sings in a pure, high voice to attract the male moths to her. Her hair is found as a fern, the hanging spleenwort, and her voice is heard in the sound of the putorino, an instrument known only in Aotearoa (the Maori name for New Zealand). The putorino is an instrument that can be played in various ways – as a flute, as a trumpet and as a means of enhancing or altering the human voice.

    Hineraukatauri is written for two performers, one playing conventional flutes (piccolo, C and alto flutes), and the other for taonga puoro (instruments). The score features three different putorino, which, like all taonga puoro, (and also the songs and chants) have a small pitch range, rarely exceeding a fourth, which varies from instrument to instrument. Three putorino are used in this piece – one made of albatross bone and two of wood, and both the flute and trumpet voices are used. Other instruments used are a karanga manu (bird-caller), a purerehua (swung bull-roarer) and tumutumu (tapped instruments.)

    The flute player’s part is notated, but the music for the taonga puoro is improvised; there are areas when the flute player is encouraged to improvise with the taonga.

  • Availability

Gillian Whitehead  

Ipu

Duration: 42' 00" Year: 1997
for narrator, taonga puoro (Maori instruments), jazz piano and cello

Hirini Melbourne  

Kakapo

 Year: 1991
For taonga puoro and male voice

Hirini Melbourne  

Karanga Weka

 Year: 1991
For taonga puoro and male voice