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Originally called A Song of Tamatea, this work was revised in 2000 to become An Offering for Parihaka.

• Hamilton: A Song of Tamatea; facsimile 

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• Hamilton: An Offering for Parihaka; computer set 

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• Hamilton: An Offering for Parihaka; computer set 

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• David Hamilton: A Song of Tamatea 

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• Parihaka 

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• Felicity Williams: The Quangle Wangle  Year: 1992 

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• Kim Dyett: Wallpaper Music   Year: 1993 

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there is also a string accompaniment.

• Buchanan: Hine, e Hine (SSA); computer-set 

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• Music for Vienna: Bel Canto Choir 

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• The Big Sing Finale 1999  Year: 1999 

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• Cooper: Hine e hine (arr.); facsimile 

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• Cooper: Hine e Hine; facsimile 

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• Maori: various artists 

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• A Royal Occasion - National Youth Choir and Kiri te Kanawa 

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2 trumpets, 4 french horns, trombone, tuba

This brass octet with its somewhat dense texture of waiata-like fragments, is inspired by the spatial as well as the dynamic and energetic qualities of the mountain. The Maori title may translate as ‘The Mountain Called Wharepapa’, which is the original name for Mount Arthur in the Nelson district, a significant mountain in my childhood landscape. This piece is dedicated to the memory of my father, Tas McKee.

• Fisher: Ko Wharepapa Te Maunga; computer-set 

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• Fisher: Ko Wharepapa Te Maunga; facsimile 

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• Helen Fisher: Various Works 

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in part 1: tuned PVC pipes, metal chimes, roto-toms, voices, trom-tubes, spun drones, rattle-jackets and kerosene cans

in part 2: voices, tuned wood, metal and PVC pipe lengths, 3 tenor slide trombones and 3 saxophones, soprano, alto, tenor and surf sticks

Pacific 3-2-1-Zero (parts 1 and 2) is a work of protest against nuclear testing and waste dumping in Oceania. The structure is based on an image of isolated islands of acitivity connected by common waters whose currents now innocently carry nuclear contamination.

The work takes place in the round, with the instruments in Part 1 arranged centrally to indicate the symbol for nuclear disarmament.

The syllables heard in the first vocal section are taken from the names of individual islands within Micronesia, Melanesia and Polynesia. These are mirrored and inverted in the same way as the rhythms in the music are. In a later vocal section the names of contaminated islands testing sites: Mururoa (France), Fangata’ufa (France), Christmas Island (UK/USA), Johnston Island (USA), Enewetak (USA), Bikini (USA) are sung, then shouted and drummed on tins to sound both lament and warning.

Part 2, developed in 1983, expresses hope and is dedicated to the emerging force of solidarity among the people of the Pacific.

• From Scratch: Pacific 3-2-1-zero Parts 1 and 2  Year: 1986 

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• From Scratch: Pacific 3.2.1 Zero, Eye/Drum  Year: 1994 

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• Pacific 3.2.1 Zero, Eye/Drum  Year: 1994 

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Inspired by sparkling waters of Tasman Bay Nelson, this choral work (SSAATB) was originally composed with flute accompaniment, which has been substituted in performances by the Shakuhachi (traditional Japanese flute) and also the Koauau (traditional Maori flute). There are recordings of Pounamu with each of these flutes. The piece’s choral texture uses Maori vowel sounds and a text which is a whakatauki (proverb) from the Waikato region.

• Tower New Zealand Voices: Spirit of the Land  Year: 2006 

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Flute can be replaced by shakuhachi or koauau; alto soloist from choir required

Inspired by sparkling waters of Tasman Bay Nelson, this choral work (SSAATB) was originally composed with flute accompaniment, which has been substituted in performances by the Shakuhachi (traditional Japanese flute) and also the Koauau (traditional Maori flute). There are recordings of Pounamu with each of these flutes. The piece’s choral texture uses Maori vowel sounds and a text which is a whakatauki (proverb) from the Waikato region.

• Helen Fisher: Pounamu (SOUNZwrite) - hardcopy study score  Year: 1997 

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• Helen Fisher: Pounamu - hardcopy vocal score  Year: 1997 

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• Helen Fisher: Pounamu - hardcopy score & part  Year: 1997 

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• Pounamu 

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• New Zealand Choral Music  Year: 1998 

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5 actor-singers (2f, 3m) and piano

This song-play by Mervyn Thompson investigates the injustices that the pakeha land courts has dished out to the tangata whenua over the years. It was premiered in January 1980 and toured under the auspices of the New Zealand Students Arts Council in 1981.

• William Dart: Song Book; computer-set 

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• Parihaka 

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• Mervyn Thompson and William Dart: Songs to the Judges  Year: 1982 

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