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The tape part for A Bridge of Ice was recorded on Williamsburg Bridge, New Year’s Day, 1994. A Bridge of Ice was premiered by Robert Black.

• Palmer: A Bridge of Ice; computer set 

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• Juliet Kiri Palmer: Tufa and A Bridge of Ice 

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3*2*3*2*; 4331; timpani; perc; harp; pf; strings

This work has been performed by the Auckland Philharmonia Orchestra and broadcast live by Radio New Zealand.

• Bowater: Chameleon; facsimile 

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• Bowater: Chameleon; facsimile 

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• Works for Orchestra: Farr, Blake, Keay, Bowater 

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• APO Commissions of NZ Music 1995 - 1997 

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• Mix-up - various works by Juliet Palmer 

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• Juliet Kiri Palmer: selected works 

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• Palmer: Selected Works I 

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2222; 4331; timp; 2 perc.; strings

In 3 movements, this work was reviewed as follows, “There are proper tunes, there are pattems that can be traced, brass and percussion in abundance, and rhythms that dance light off the stage at you.” Christchurch Press 11-95. This work was commissioned and premiered by the Christchurch Symphony Orchestra.

• Norman: Concerto; computer-set 

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• Orchestra Works: Body and Norman 

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PVC Pipes, eye drums, tuned drums, bass drum, aluminium gong, cymbals, hub caps, tongue bells, tuned tounge bamboo, sliding sleeve hand drum, slide tone water drum, song stones, membrane drones, gold panning bowls, zitherum string drone, soprano saxophone, voices

• Pacific 3.2.1 Zero, Eye/Drum  Year: 1994 

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• From Scratch: Pacific 3.2.1 Zero, Eye/Drum  Year: 1994 

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2222; 4221; timpani; 3 perc.; strings. Also requires vocalising SATB choir

This tone poem, along with Far Calling, was composed to evoke the Rocky Mountains – as seen from the vantage point of Canmore, Alberta. Far Calling includes parts for mixed voices SATB sung to the sound of ‘Ah’. The works honour Canada’s magnificent beauty and its vast open, unspoiled places – truly a garden of Eden.

• Twomey: High Valley (Opus 20); computer-set 

  Parts - written | Pdf - computer set
  

• Twomey: High Valley (Opus 20); computer-set 

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• Twomey: High Valley; computer set 

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• Ray Twomey: Music for Orchestra and Carillon 

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• Ray Twomey: The Spirit of the Land 

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• Reflections - Music Composed by Ray Twomey 

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• Ray Twomey: High Valley and A Time Before 

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solo flute; 022(bass)2; 2200; perc.; strings

Maui Tikitiki a Taranga (“Maui formed in the topknot of Taranga”) was a demi-god found in the tribal myths of the Māori people of New Zealand.

Maui, the fifth and youngest child, was born at the edge of the sea. His mother, Taranga, thought he was stillborn, and wrapped him in a tuft of her hair and set him adrift. He was cared for by the seaweed until a breeze blew him ashore, where he was saved and brought up by one of his great-ancestors.

Maui was a great prankster. In one of his mischievous moods he decided to put out all the fires in the world. To bring fire back, he had to find Mahuika, the goddess of fire. He was awestruck upon meeting her, but decided to play a trick on her by taking fire from her fingernails one at a time, until she realised his game and threw fire to the ground, catching everything alight. Maui changed himself into a hawk to escape the flames, which singed his feathers. He called upon his ancestor to send rain and drench the fire, depriving Mahuika of her powers.

Maui decided to defeat death by journeying to where the earth meets the sky, where lived his great-ancestress Hine nui te po (“Great Hine the Night”). He was accompanied by many birds, and told them his plan to enter the body of the sleeping Hine and so defeat death. The birds sat quietly trying not to laugh as Maui, in the form of a caterpillar, crawled towards Hine. Suddenly the fantail could be quiet no longer and laughed aloud, dancing about with delight. Hine awoke with a start, realised Maui’s trickery, and he was killed.

• Maria Grenfell: Maui Tikitiki a Taranga - hardcopy score 

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  $44.00
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• Maria Grenfell: Maui Tikitiki a Taranga - downloadable PDF 

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  $37.00

• Maria Grenfell: Maui Tikitiki a Taranga - hire set 

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• Maria Grenfell: Maui tikitiki a Taranga; audio 

  Media on Demand | Embedded
  

• Grenfell: Four Works 

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• Grenfell: Maui Tikitiki a Taranga; cassette 

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• Norman/Grenfell/MacKenzie; cassette 

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flute, B flat clarinet, percussion, timpani, piano, strings; Characters: Miss Brill, middle-aged couple, young couple: 2 sopranos; 1 mezzo; 2 baritones (one is high baritone/low tenor); 2 non-singing roles

• Buchanan: The Mansfield Stories; computer-set 

  Score and parts | Hardcopy - computer set
  
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• Buchanan: Miss Brill; computer-set 

  Vocal score | Hardcopy - computer set
  
  $27.00
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• Buchanan: Miss Brill; computer-set 

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  $35.00
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• Dorothy Buchanan: Two Operas 

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• Dorothy Buchanan: The Mansfield Stories 

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• Dorothy Buchanan: It Began with a Pony  Year: 1998 

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flute, clarinet, recorders, voices, percussion, piano, rock band

This children’s dance theatre work choreographed by Rangimoana Taylor is based on taniwha (sea-monsters) Whataitai and Ngake, a traditional Maori legend from the Wellington region.

• Helen Fisher: Works 1  Year: 1992 

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choir, percussion, Rarotongan drums, guitars (students), Taonga Puoro (koauau), piano, clarinet in B flat, alto saxophone, horn in F, flute, guitar (advanced performer)

Nga Tapuwae o Kupe is a music drama directed by Rangimoana Taylor. It is based on the story of Kupe’s journey from Hawaiki to Aotearoa and his discovery of various landmarks around Whanganui-a-Tara / the Wellington region.

While this work maintains a strong Maori theme, with karanga, haka and waiata, as well it weaves in other Pacific and European elements.

For school choir, instrumentalists, dancers and kapa haka, this work was composed with the financial assistance of a composition grant from Queen Elizabeth II Arts Council, was first performed by 140 students from South Wellington Intermediate School in July 1992 for Artsplash, the Wellington Young People’s Festival.

• Fisher: Nga Tapuwae o Kupe; facsimile 

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• Fisher: Nga Tapuwae o Kupe; facsimile 

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• Helen Fisher: Works 1  Year: 1992 

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