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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Dr Kevorkian & the Suicide Machine: The Ironman  Year: 2000 

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The text for this work is a short poem by Lucille Clifton (1936-) suggesting an intense religious experience and part of the traditional Latin ‘Magnificat’. The choir is accompanied by pre-recorded sounds which are mostly bell-like sounds, some deep and some very high. Holy Night was written for Opus to sing at the 2000 Secondary Schools Choral Festival.

• Hamilton: Holy Night; computer set 

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• Hamilton: Holy Night; computer set 

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• David Hamilton: Holy Night; video 

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• The Treble Voice Choral Music of David Hamilton Vol 1 

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• The Big Sing Finale 2000  Year: 2000 

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• Sound Barrier  Year: 2006 

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• Agus and Friends  Year: 2001 

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Shanti is an electroacoustic work and an elegy. It is dedicated to four people – my close friend David who died from skin cancer in 1991; Georgia who died in 1997, a past student who was killed in a motorbike accident; my Nana who died in 1997; and Nusrat Fateh Ali Kahn who also died in 1997, the world’s finest Qawaali singer from Pakistan.


All of these deaths had a strong impact on me and inspired the composition of this work. Each of the dedicatees has a section (or verse) which refers directly to them. The piece ends with a life-affirming coda – the simple act of having the sun on our back always makes us feel better. The backing track is a digital soundscape with manipulated vocals layered throughout.

Jeni Little

• Little: Shanti; computer-set 

  Part - recorded | CD
  

• Little: Shanti; computer-set 

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• Little: Shanti; computer set  Year: 1999 

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• Little: Shanti 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Jordan Reyne: Passenger  Year: 2004 

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I welcomed this commission to write a small piece for Stephen De Pledge, but baulked a little at the idea it that should be related to landscape, a concept that can easily fall into cliché. But then all physical places are in fact landscape, including the street where I have lived for the last 35 years (echoes of My Fair Lady), in the city I love.

This work creates a counterpoint between my own voice and its ‘musical analogue’, as played on the piano.

• Body: The Street Where I Live; recorded part 

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• Body: The Street Where I Live; computer set 

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• Body: The Street Where I Live; computer-set 

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• Landscape Preludes  Year: 2011 

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• Jack Body: The Street Where I Live; audio 

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• Jack Body: The Street Where I Live; video 

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• Jack Body: The Street Where I Live 

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• Stephen de Pledge - Landscape Preludes  

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• Stephen de Pledge plays The Street Where I Live by Jack Body 

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The Voice of Experience was composed as a tribute to John Rimmer on his 60th birthday. It contains fleeting images: a piano part derived from the dedicatee’s name; re-synthesised kokako; granulated water sounds from a quiet rock pool on Rangitoto Island; and granular time-stretched recordings of a singer whose name was Experience.

• Elmsly: The Voice of Experience; computer set 

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• Elmsly: The Voice of Experience 

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• New Zealand Sonic Art 2000  Year: 2000 

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• Sound Barrier  Year: 2006 

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