Search Music:

Dream Bird was written in 2009 for harpist Ingrid Bauer. The title is a reference to a painting by the composer’s mother, Katrin, of a bird she had seen in a dream. The piece is dedicated to Katrin.

• Tabea Squire: Dream Bird - downloadable PDF 

  Full score | Pdf - computer set
  
  $15.50
  • • Quantity:

• Tabea Squire: Dream Bird - hardcopy score 

  Full score | Hardcopy - computer set
  
  $18.50
  • • Quantity:
  • Borrow

• Ingrid Bauer: Dreambird  Year: 2011 

  CD
  

The catalyst for this composition was a visit by Bruce Paine to Finchdean, on the Hampshire/Sussex border in the South of England in the summer of 2005. A walk through nearby fields led to the 14th century chapel at Idsworth, and this composition captures that day.

Isolated and settled serenely amid the cornfields “The Little Church in the Field” St Huberts Chapel built in 1053 by Earl Godwin of Wessex is a fascinating focal point for walkers visiting the area.

Tremolo effects in the opening and closing sections of Finchdean represent the swirling and waving textures of the wheat fields. Halfway into the piece the mood changes with figures that imitate the sound of a bell ringing in the distance, as if summoning the visitor to enter the church.

The lute-like central section represents the church itself, in particular the tranquil interior and wealth of decoration within. The early 14th century murals take you back in time to the days of old England and King Edward the Confessor.

• Paine: Finchdean; computer-set 

  Full score | Pdf - computer set
  
  $15.50
  • • Quantity:

• Paine: Finchdean; computer-set 

  Full score | Hardcopy - computer set
  
  $18.50
  • • Quantity:
  • Borrow

• Bruce Paine - Lateral Lines 

  CD
  
  $30.00
  • • Quantity:
  • Borrow

• Farr: From Forgotten Forests; computer-set 

  Full score | Hardcopy - computer set
  
  • Borrow

• Gareth Farr: Chamber Music  Year: 1997 

  CD
  
  $30.00
  • • Quantity:
  • Borrow

The name hihi (“stitchbird”) has an onomatopoeiac quality which suggests the insistent call of this bird which is urgent, penetrating and strong. Hearing the striking call of the “hihi” on Tiritiri Matangi in the Hauraki Gulf inspired this piece.

• Bowater: Hihi; computer set 

  Full score | Pdf - computer set
  
  $16.50
  • • Quantity:

• Bowater: Hihi; computer set 

  Full score | Hardcopy - computer set
  
  $20.00
  • • Quantity:
  • Borrow

• NZ Premieres 2008 Vol. 1 

  CD
  
  • Borrow

• Love's Nature  Year: 2011 

  CD
  
  $30.00
  • • Quantity:
  • Borrow

The material in this piece comes from my opera Enchanted Island, based on Shakespeare’s The Tempest. The opening idea is throughout associated with Prospero, and particularly (towards the end of the opera) with his most famous speech,
“we are such stuff as dreams are made on”. Perhaps one could imagine Prospero as a magician guitarist, dreaming these variations.

• Farquhar: Prospero Dreaming; facsimile 

  Full score | Pdf - facsimile
  

• Farquhar: Prospero Dreaming; facsimile 

  Full score | Hardcopy - facsimile
  
  $6.00
  • • Quantity:
  • Borrow

• Prospero Dreaming - Gunter Herbig  Year: 2009 

  CD
  
  $18.00
  • • Quantity:
  • Borrow

When Helen initially asked me to write her a lever harp piece, one option that arose in discussion was that of using a loop pedal. This created many possibilities for the piece, but also created limits in the way I could use certain material. After the expansive opening, Strata uses multiple layers built up of patterns played over top of each other. The constantly repeating riffs drive the piece, and the melodic material weaves around this, sometimes in sync and sometimes purposely against the underlying patterns. Strata was written while I was Mozart Fellow at the University of Otago in 2011.

• Chris Adams: Strata - downloadable PDF 

  Full score | Pdf - computer set
  
  $16.50
  • • Quantity:

• Chris Adams: Strata - hardcopy score 

  Full score | Hardcopy - computer set
  
  $19.50
  • • Quantity:
  • Borrow

• Helen Webby: Pluck  Year: 2012 

  CD
  
  $27.00
  • • Quantity:
  • Borrow

Three Sad Waltzes is one of several works the composer has written for guitar (including Sonatine, Suite for Guitar and Violin, and a Concerto for Four Guitars) and was composed in 1991 for inclusion in a publication of solo guitar works entitled Guitar Aotearoa. Matthew Marshall gave the first performance of _Three Sad Waltzes on 25 November 1994.

• Guitar Aotearoa; computer set  Year: 1991 

  Full score | Hardcopy - computer set
  
  $30.00
  • • Quantity:
  • Borrow

• Matthew Marshall - Still Life with Guitar  Year: 2009 

  CD
  
  $30.00
  • • Quantity:
  • Borrow

The gamelan is a percussion orchestra from Indonesia, made up of gongs, drums, metallophones, wooden xylophones, strings (bowed and plucked), bamboo flute, and voice. No two gamelan-makers tune their instruments alike, thus the differences in tuning between ensembles has become an important part of the aesthetics of gamelan music. This piece for guitar, kenong and saron exposes the discrepancies in tunings between the two traditional scales of Javanese gamelan, and also the Western tuning we are familiar with. Written for composer and guitarist Dylan Lardelli, who premiered the work with me at In Brevity, a Caprice Arts Trust concert in Wellington on October 10, 2008.

• Killin: ...tor / tue; computer-set 

  Full score | Pdf - computer set
  
  $8.00
  • • Quantity:

• Killin: ...tor / tue; computer-set 

  Full score | Hardcopy - computer set
  
  $8.00
  • • Quantity:
  • Borrow

• Anton Killin: ...tor / tue 

  Digital sound file - MP3
  
  $3.50
  • • Quantity:

• NZ Premieres July 2008 to June 2009 

  CD
  
  • Borrow

• Anton Killin: ...tor / tue 

  CD
  
  • Borrow