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• Gao: Bright Light and Cloud Shadows; computer-set 

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• Gao: Bright Light and Cloud Shadows; computer-set 

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• Asian Music for String Quartet  Year: 2012 

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• Statham: Elena's Waltz; computer-set 

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• Statham: Elena's Waltz; computer-set 

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• Statham: Elena's Waltz; computer-set 

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• In Retrospect - Quintets, Quartets and Trios by Keith Statham 

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• Keith Statham: ...of wine and roses  Year: 2011 

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• Statham: Happy Days; computer-set 

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• Statham: Happy Days; computer-set 

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• Statham: Happy Days; computer-set 

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• In Retrospect - Quintets, Quartets and Trios by Keith Statham 

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• Keith Statham: ...of wine and roses  Year: 2011 

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While no Lyric Suite, this is my most ambitious composition to date, combining multiple musical cultures dating over the past 1,000 years. It is dedicated to my wife, Shayna. The first movement owes something to the world of Janacek, and is even based upon a Czech folk tune (which one hears partially disguised at one point).
The second (no jokes about “La Quesadilla,” please), is based upon music I have heard played by South Mexican street bands. A simple melody becomes more fragmented until it distorts into this nightmarish scherzo.

Talencourt starts with direct transcription of a Quebecois folk melody as originally played in the 1920s by “Villeneuve and Bouchard” a violin and accordion duo – later released on the 1985 album You Can Tell the World About This (Morning Star Records). It is then given short variation treatment in the styles of Bartók, Stravinsky, Prokofiev, and Rachmaninov, in that order. The rest of the work is a mirror image of itself right back to the very beginning.

The fourth movement only lasts around a minute, and is a setting of the medieval melody (anonymously written) of the same name.

Mache Dich Mein Geist Bereit is a setting of a chorale melody, in quickly contrasting alternating sections of a March and a “Pseudo-Adagio” (which is at the same speed as the march, but the notes are obviously held much longer). Mahler probably would have hated this piece, but I don’t care, I will always love Mahler’s music.

Shir Ha-Shirim is a toccata-like distortion of a medieval Jewish setting of a text from the Song of Songs, III / 1, “By night on my bed I sought him whom my soul loved; I sought him, but I found him not.” The Song of Songs is a love-song from God to Israel and vice-versa and it is read at Passover. After a short reprise of Hore Cerny the melody returns to the toccata, thereafter quietly dispersing.


Matthew Davidson

• Davidson: Music for String Trio; computer-set 

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• Davidson: Music for String Trio; computer-set 

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• Davidson: Music for String Trio; computer-set 

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• Davidson: Music for String Trio; computer-set 

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• Davidson: Music for String Trio; facsimile 

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• Davidson: Music for String Trio; facsimile 

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• Talencourt  Year: 2008 

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In this work, the first movement uses two Basque melodies (one of which is a Basque lullaby whose text contains only Basque nonsense words) for the first group and a “Bulgarianized” version of a Hungarian folk melody for the second in this short sonata form. The second movement is an arrangement of a 14th century melody by Guillaume de Machault, and the last owes something to Scandinavian folk music (the obscure title refers to a favorite Finnish dill-infused salad dressing that I like to make on occasion).

Music for Viola and Piano is dedicated to Rudolf Haken, Rachel Jensen, and my counterpoint teacher, Jack Melby.

• Davidson: Music for Viola and Piano; computer-set 

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• Davidson: Music for Viola and Piano; computer-set 

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• Davidson: Music for Viola and Piano; computer-set 

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• Davidson: Music for Viola and Piano; computer-set 

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• Davidson: Music for Viola and Piano; facsimile 

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• Talencourt  Year: 2008 

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• Prosser: Study of Additive Rhythm Cycles; computer-set 

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• Accordatura Violin - Chris Prosser 

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• Statham: Such Sweet Sorrow; computer-set 

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• Statham: Such Sweet Sorrow; computer-set 

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• Statham: Such Sweet Sorrow; computer-set 

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• In Retrospect - Quintets, Quartets and Trios by Keith Statham 

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• Keith Statham: ...of wine and roses  Year: 2011 

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