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• Speak: Arabesques; computer-set 

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• Waiteata Collection of New Zealand Music Vol. 7 - Emerging Composers  Year: 2003 

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Bright Silence, for solo violin, is an evocation of Central Otago, the high plateau between the Southern Alps and the coastal plains in the South Island of New Zealand. The area is treeless, rocky, sparsely populated, and the piece reflects the sounds, silences and ghosts of the area.

Bright Silence was written while Gillian Whitehead was composer-in-residence with the Auckland Philharmonia, as the solo violin competition piece for the inaugural Michael Hill World Violin Competition (now the Michael Hill International Violin Competition) held at Queenstown, New Zealand, where it received its first eighteen performances in June 2001. The piece is dedicated to Michael Hill.

• Whitehead: Bright Silence; computer-set 

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• Whitehead: Bright Silence; computer-set 

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• Premieres: Poynton, Ritchie, Whitehead 

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• NZIAF: Gillian Whitehead Portrait; part 1 

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• NZ Women Composers Vol. 3 

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• Whitehead: Bright Silence 

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• Whitehead: Bright Silence  Year: 2002 

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• Waiteata Collection of New Zealand Music Vol. 11 - Chamber Music III  Year: 2010 

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for violin and piano

‘Duo’ is a set of variations on the twisting melody introduced by the violin at the beginning. A short ricochet motif soon appears, completely unexpectedly, disrupting the flow of the music. This interjection returns over and over, spurring the work on into the allegro section where it infects the melody and appears as the repeated note motif. Gradually the music accelerates until the new motif is almost as fast as the original ricochet. At this point the ricochet is revealed in its original form and the piece shudders to a grinding halt. ‘Duo’ is the second piece Harris has written for Rolf and Helena, following Wayleggo which was given to them by the composer as a wedding present.

• Harris: Duo; computer-set 

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• Waiteata Collection of New Zealand Music Vol. 4 - Composer Portrait: Ross Harris  Year: 1987 

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