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• Lauder: Fruit of our Folly; computer-set 

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• Lauder: Fruit of our Folly 

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SSAATTBB with clapping and/or hand percussion (stones or wooden clap-sticks)

This work was written as a commission for Baroque Voices, with funding from Creative NZ, to be premiered at the Baroque Voices “Alleluia: a newe work!” concert in May 2008. The concept of the performance is to juxtapose Contemporary New Zealand works with Medieval European ones – and in this case, Hoquetus Sanctus pairs well with Hoquetus David (written by Guillaume de Machaut in the 14th Century), as it explores the idea of hocket, where vocal lines are ‘shared’ between different voices, sometimes jumping from one to another and overlapping each other – however, it can equally well be performed in any choral concert.

Hoquetus Sanctus is a setting of the Latin Sanctus text for a capella chamber choir or small vocal ensemble.

• Becker: Hoquetus Sanctus; computer-set 

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• Becker: Hoquetus Sanctus; computer-set 

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• Pepe Becker: Hoquetus Sanctus; audio 

  Media on Demand | Embedded
  

• NZ Premieres 2008 Vol. 1 

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for SSSSAA singers, treble recorder and hurdy-gurdy or organ

This work was written at a radically heightened and transformative time in my life: a time of purging and new beginnings, a time to “run by a new path”…

Pepe Becker

• Becker: O Ecclesia; computer-set 

  Parts - written | Pdf - computer set
  
  $15.50
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• Becker: O Ecclesia; computer-set 

  Parts - written | Hardcopy - computer set
  
  $18.00
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• Becker: O Ecclesia; computer-set 

  Full score | Pdf - computer set
  
  $19.00
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• Becker: O Ecclesia; computer-set 

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  $22.00
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• Baroque Voices: Brother Sun, Sister Moon  Year: 2011 

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• Harris: Sleep, O beloved 

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• Harris: Sleep O Beloved 

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• The Big Sing Finale 2003  Year: 2003 

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one of the mezzo sopranos needs to be familiar with performing Maori waiata.

This chamber work, composed in 2002, is based on the music drama of the same title, with music by Helen Fisher, Maori composition by Wi Kuki Kaa and lyrics by Lauris Edmond. This shorter work for two sopranos, kai-karanga, string quartet, flute, bodhran and Maori instruments was produced for a CD on the Atoll label (ACD 203). This work focuses on some Maori and Pakeha women’s stories surrounding the events of the 1843 Wairau tragedy. These are stories of compassion, which have a resonance for New Zealand today, showing a way forward for reconciliation and racial harmony.

• Fisher: Taku Wana - the Enduring Spirit; computer-set 

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• Fisher: Taku Wana - the Enduring Spirit; computer-set 

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• Fisher: Taku Wana  Year: 2003 

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This piece was written for the 65th anniversary of the arrival in New Zealand of Polish refugee children in 1944. Most of them were children who had been separated from, or who had lost their parents and other family members. As part of my research for the piece, I transcribed an interview that my colleague Anton Killin had recorded with one of these refugees. His story is one of loss, struggle, enforced migration and international betrayal of the Polish community, yet his perseverance, faith common sense and strength eventually won through and he continues to live in New Zealand whilst being proud of his Polish heritage. Tesknota is my reflection and response to his moving story and quotes from the traditional Polish fold song Polskie Kwiaty and 13th-century hymn Bogurodzica representing “old Poland” before the Russian and German invasions of 1939.

• Shortis: Tesknota; computer-set 

  Vocal score | Pdf - computer set
  
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• Shortis: Tesknota; computer-set 

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• Shortis: Tesknota; computer-set 

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• Shortis: Tesknota; computer-set 

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• SMP Ensemble: Podroze - Journeys 

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  $15.00
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sop, m-sop,A,T,Bari,B choir or sextet. Optional melody instrument - flute. If one soprano has a virtuoso high light voice that could undertake the flute line, the upper voices in 1 and 5 can be rearranged between soprano 2 and alto.

The Virgin and the Nightingale was commissioned by Jones and Co with funding from the Music Board of the Australia Council, and first performed by The Song Company in 1992. The poems are taken from Fleur Adcock’s collection of translations of mediaeval poems published by Bloodaxe Books as The Virgin and the nightingale, with kind permission of author and publisher. The five songs all focus on birds; the flute part in Love’s Agent is a (transposed) transcription of a nightingale song. The settings are for SSATTB choir. The songs can be performed as a set or separately; some of them are suitable for choir.

• Whitehead: The Virgin and the nightingale; computer-set 

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• Whitehead: The Virgin and the Nightingale; facsimile 

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• The Laughter of Mermaids – The Song Company 

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