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During 2007 I spent a lot of time making field recordings of background noise in Paris, and analysing the spectral and rhythmic content of those recordings. I found the more I listened to my recordings, the more musical material I found hidden in these background hisses and hums, chatterings and otherwise banal noises: rhythms, mysterious melodies, energies and harmonic tensions. While working on this commission for the NZSO, I decided to try to capture the intrinsic musical essences I could hear in my field recordings, and interpret those sounds in an orchestral context, with the juxtaposition of the original noise recordings finding musical relationships in the orchestral counterpart. The resulting piece is a conjuring of various energies, or furies, caught in the background noise of Paris, and finding their way into the back of my throat to be sung into a quiet fury.

Lissa Meridan

• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; computer-set 

  Parts - written | Pdf - computer set
  

• Meridan: a quiet fury; computer-set 

  Full score | Pdf - computer set
  

• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; electronic part 

  Digital sound file - MP3
  

• Meridan: a quiet fury; electronic part 

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• Cree Brown: Celestial Bodies; computer-set 

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• Cree Brown: Celestial Bodies 

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• Jonathan Besser: Jean - The Ballet  Year: 1990 

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• Gareth Farr: Te Papa  Year: 1998 

  CD
  
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• Gareth Farr: From the Depths Sound the Great Sea Gongs  Year: 2009 

  CD
  
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