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Red Contributor


Dylan Lardelli

Composer

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Biography

Born in Wellington New Zealand, Dylan holds a Bachelors degree in Guitar performance and a Masters degree in Composition from Victoria University of Wellington. He has studied with Stefano Bellon in Venice and from 2009–2010 held a DAAD stipend to work with Dieter Mack at the Lübeck Musikhochshule in Germany.

Dylan has been the recipient of many scholarships and awards including the award of first place with his piece Four Fragments in the Asian Composers League Young Composers’ Competition in Tokyo in 2003. Dylan’s music has been performed throughout Europe, Asia and North America and by such musicians as Lucas Vis, Cygnus Ensemble, New Zealand Symphony Orchestra, the NZTrio and members of Ensemble Modern and Musik Fabrik. His pieces have been programmed in the Gaudeamus music week held in Amsterdam and the Darmstadt New Music Festival. He has participated in the Acanthes course with Peter Eotvos, the Darmstadt summer school with Beat Furrer, Helmut Lachenmann and Dieter Mack and the Royaumont course with Brian Ferneyhough.

Recent premières include Between Strings (2013) by NZTrio, secrets, listening to the qin (2014) by the Forbidden City Chamber Orchestra and the New Zealand String Quartet, Retracing (2016) by the Miyata-Yoshimura-Suzuki Trio, and Shells (2016) by NZ Trio and Xia Jing.

As a Guitarist Dylan has performed with the New Zealand Symphony Orchestra, Stroma contemporary music ensemble, 175 East new music ensemble and also In Korea, China, Thailand and Germany. Dylan has recorded numerous New Zealand Compositions and is a strong advocate of New Zealand music through commissioning and programming.


Composed (40)

Arrangements

for saxophone quartet, 8m


Aspects of Theatre

for mixed chamber quintet


Bas

for flute, two clarinets, and cello


Between Strings

for Violin, Cello, Piano and Guzheng, 13m


Conditions of Forgetting

for tenor recorder, electric guitar, percussion, violin, cello, double bass, 13m


Duo

for oboe and guitar, 11m 40s


Eidolon

for solo cello, 9m


First Ice (Lachrymae)

prelude and movement for solo guitar, 10m


For Violin

two movements: one for solo violin and one for piano


Four Fragments

for large chamber ensemble, 8m


Frederick Street Fragment

for children's chamber orchestra


from flying birds

for solo cello, 1m


From Grey

for string orchestra and harp, 10m


Hiki-Iro

for solo Koto, 8m 30s


Impulsion

single movement work for chamber ensemble


Lethe

for cello, bass clarinet and guitar, 13m


Mapping, an Inlay

for string quartet, 15m


Mobiles

for flute, clarinet in B flat, violin, cello and piano, 8m


Musical Box

for taonga puoro, viola, guitar and harp, 10m


One Body

for clarinet quartet


Orbits of Influence

for violin, cello, shamisen, and guitar


Pan Awakes

for orchestral wind & brass, 6m


Penumbra

for clarinet in B flat, trombone and guitar, 8m


Recite

for bassoon, tenor trombone, tuba, cello, double bass and conductor (all performers required to hum)


Refining Metals

for piccolo/bass flute, soprano saxophone, and percussion, 10m


Reign

A "landscape prelude" for piano


Retracing

for recorder, sho, koto and guitar


Revenir I

for saxophone quartet, 5m 30s


Revenir II

for saxophone quartet, 6m 30s


Scenes

for mixed chamber ensemble


secrets, listening to the qin

for Chinese instrument ensemble and string quartet, 10m


Sent into Silence

for mixed chamber nonet


Shells

for violin, cello, piano and guzheng


These Dark Hands

for orchestra


Three Colours

single movement work for orchestra, 10m


to give

for mixed chamber septet


To My Winter

for solo oboe


Tumbu

for solo clarinet and orchestra, 12m


Two Bells

for piccolo, alto saxophone, baritone saxophone and piano