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Red Contributor


Eve de Castro-Robinson

Composer

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Born: 1956

Biography

Eve de Castro-Robinson has been commissioned and performed by a wide variety of performers, including the BBC Scottish Symphony Orchestra, New Zealand Symphony Orchestra, the Auckland Philharmonia, with whom she was Composer-in-Residence in 1991, Chamber Music New Zealand, the New Zealand String Quartet, NZ Trio, New Zealand Chamber Orchestra, the Nash Ensemble of London and many soloists including Alexander Ivashkin, Jane Manning, Nicholas Isherwood and Stephen De Pledge. Her output ranges from large orchestral to vocal, chamber and electroacoustic works which are performed in NZ and internationally.

In 1986 Pierre Boulez conducted her Interpolations for orchestra in open rehearsal in Wellington. Her Triple Clarinet Concerto was the 1992 NZ entry in the International Rostrum of Composers, Paris and she is twice winner of the SOUNZ Contemporary Award (for Chaos of Delight III in 1998 and These arms to hold you in 2007) and a finalist in 2006. She is also twice winner of the Philip Neill Memorial Prize in Music from the University of Otago. She was the first person to graduate DMus in Composition from the University of Auckland in 1991 and is currently Associate-Professor in Composition there.

de Castro-Robinson is a member of the SOUNZ board of trustees. She has been Secretary of the Composers’ Association of New Zealand, Convenor of the Nelson Composers’ Workshop, awarded the CANZ Trust Fund Award 2000 and was co-founder of CadeNZa, New Zealand Contemporary Music Ensemble. She had held residencies at the Atlantic Centre for the Arts, Florida, and at the Banff Centre. de Castro-Robinson has often been an adjudicator, speaker, writer, reviewer and broadcaster on musical topics, and is a trained graphic designer.

She has three solo CDs on the Atoll label: Releasing the angel (2011), five orchestral works recorded by the New Zealand Symphony Orchestra; Other echoes (2001), works for orchestra and Chaos of Delight (1998), chamber works by various performers. There are works on many other CDs and many of her scores are published by Waiteata Press, Wellington. In 2004 she was awarded a ‘de Castro-Robinson Portrait’ concert in the NZ International Festival of the Arts in Wellington. 2006 saw a special 50th birthday concert mounted in her honour by the Karlheinz Company, University of Auckland and in 2009 the Auckland Chamber Orchestra staged a de Castro-Robinson portrait concert A Resonance of Emerald.

Her LEN LYE the opera, a 90-minute five-act multi-media chamber opera, to a libretto by Roger Horrocks, ran a sold-out season at the Maidment Theatre, Auckland, in September 2012. Her large-scale commission for the NZSO The glittering hosts of heaven, was premiered in June 2013. In 2015 Host was commissioned for the Auckland Chamber Choir, and No.3 was commissioned as part of Stroma’s Nine Echoes project. 2016 saw the premiere of the sea-eye flashes by the Aotea Flute Quartet, as well as quiet at her window commissioned by Aventa Ensemble.

'Get out of whatever cage you're in.' - John Cage


Composed (59)

A Mob of Solid Bliss

for clarinet, violin, 2 violas, double bass, accordion and percussion, 5m


a pink-lit phase

for flute, viola and harp, 10m


A Resonance of Emerald

for mixed chamber ensemble, 15m


and the garden was full of voices

a sound-cycle for vocalizing pianist


At water's birth

for piano trio, 10m


Aurora

fanfare for orchestra, 3m


Breathe

an electroacoustic work using flute effects


Chaos of Delight I

for bass clarinet, 8m


Chaos of Delight II

for soprano (with two metal thumb clickers), 8m


Chaos of Delight III

for women's voices, 6m


Chaos of Delight IV

for piccolo/flute and bassoon


Chat

for solo piano


Commemoration

for solo cello, 3m


Conundrums

for solo percussionist, 15m


Countercurrents

for tenor saxophone, 12m


Cries of Auckland

for vocal sextet and string quartet


Cross-Hatchings

for flute, clarinet, horn, vibraphone, violin, cello and piano, 4m


Cyprian's Dance

for string orchestra, 9m


efflux

for piano duet, 7m


efflux

for two pianos - eight hands, 5m 30s


Five Responses

For women's voices, male speaker, and mixed ensemble, 30m


Flash Jack

multimedia work for tape and two performers, co-composed with David Bowater, 5m


Flourish

for SATB choir and full orchestra, 4m


Four Marimbulations

for marimba, 15m


Fractions

for chamber orchestra, 5m


Hale

for solo trombone with mixed ensemble and pre-recorded tape, 8m


Hau

a short vocal lament for voice and crystal glass, 5m


host

for SATB choir, 6m


Kihikihi

for orchestra of flexible instrumentation and tape, 10m


Knife Apple Sheer Brush

for vocalising flautist, 5m


Len Dances

for orchestra, inspired by Len Lye (1901-1980), 6m


Len Songs

for mezzo-soprano, clarinet, violin and piano, 25m


Noah's Ark

for large chamber ensemble, 10m


Other echoes

fanfare for orchestra, 6m


Pearls of the Sea

for bass flute and harp, 8m


Pendulums

for string quartet


Pendulums of Blue

for orchestra, 15m


Peregrinations

for piano and orchestra, 20m


Releasing the Angel

for cello and orchestra, 11m


Ring out, wild bells

for countertenor, chamber choir and tubular bell in A, 4m


Ring true

for piano (one player), 12m


small blue

for solo piano, 5m


Split the Lark

for violin and piano, 13m


Stringencies

for strings, 13m


Synergy

for violin and marimba, 6m


The glittering hosts of heaven

for orchestra and seven soloists, 25m


These arms to hold you

for children's voices and orchestra, 12m


These Boots (are made for dancing)

for bass clarinet in B flat, bass trombone and double bass, 4m


this liquid drift of light

a "landscape prelude" for piano, 5m


Three Thumbnails

for chamber ensemble, 6m


Tingling Strings

for solo piano, 4m


Triple Clarinet Concerto

for E flat clarinet, B flat clarinet, bass clarinet and orchestra, 28m


Tumbling Strains

for violin and cello, 15m


Undercurrents

for clarinet in B flat, 9m


whiplash

for two flutes, 4m


Whisper

for solo snare drum, 1m


Whorl

for bass drum