Your cart

Total
NZD
Shipping and discount codes are added at checkout.

Contributor


Dugal McKinnon

Composer

Born: 1972 Website  

Biography

Dugal works in the collision zones between sound, music, language, and acoustic, visual and digital media.

Recent projects include: This Storm Is Called Progress (2016), with Grayson Cooke, an audiovisual installation shortlisted for the Waterhouse Natural Science Art Prize (South Australian Museum); Lost Oscillations (2015), with Jim Murphy and Mo H. Zareei, a touch-based augmented-reality sound installation, commissioned by the 2015 Audacious Festival of Sonic Arts (Christchurch); and let x = (2014) for icosahedral loudspeaker and 24-channel loudspeaker array, commissioned by IEM.

He has been a resident artist at IEM (Graz, Austria) and ZKM (Karlsruhe, Germany), and STEIM (Amsterdam). He holds a doctorate in composition from the University of Birmingham (UK), which was completed while a guest artist in the electronic music studios of TU-Berlin. His recent writings focus on ecological and material practices in sound-based art. Dugal teaches sonic art and composition at the New Zealand School of Music | Te Kōkī, where he is director of the Lilburn Studios.


Composed (33)

"Christ lag in Todesbanden" - Mise en scene

for mixed chamber ensemble with audio playback


[o]

electroacoustic work, 18m


Architrave

for piano, 4m


Blue Kisses Green

for six-channel tape and orchestra, 11m


Catalogue with Analogues

electroacoustic work, 12m


Cipher

electroacoustic work, 7m


Diktat, Ditty, Half-life

for two pianos


Exit Wound

for soprano and baritone with SATB chamber choir (16 voices)


Gastarbyter

electroacoustic, 17m


Hoax Rifts

for junk percussion and string quartet


Homage to the Night Sky's Debris

for solo baritone saxophone, 7m


Horizont im Ohr

electroacoustic work, 10m


Jetztzeit

electroacoustic work, 3m


Notes (for Ross)

for mezzo-soprano, metronome and piano


Nowdrifts

for bass clarinet and fixed media


Numena

for harp and prerecorded sound, 11m


Ouir

for narrator, ensemble and prerecorded sound, 19m


Sang Love Songs

for marimba and voice (one performer), 5m


Untitled (Counterfeit Readymade #1)

for baritone saxophone and marimba


Ways of Hearing

electroacoustic work, 30m



Performances (1)

Aotearoa Audio Arts Festival

Aotearoa Audio Arts, the first festival of its kind in New Zealand, encompasses live performances...